The Living Daylights, released in 1987, is the fifteenth film in the James Bond series and marked Timothy Dalton’s first performance as the iconic British secret agent. Directed by John Glen, the film brought a return to the more serious and realistic tone of the early Bond films, moving away from the humour and camp of the Roger Moore era. Dalton’s portrayal emphasised a tougher, more emotionally complex Bond, setting the stage for a new era in the franchise.
Background and development
The Living Daylights, released in 1987, is the fifteenth film in the James Bond series and marked Timothy Dalton’s first performance as the iconic British secret agent. Directed by John Glen, the film brought a return to the more serious and realistic tone of the early Bond films, moving away from the humour and camp of the Roger Moore era. Dalton’s portrayal emphasised a tougher, more emotionally complex Bond, setting the stage for a new era in the franchise.
Background and development
The Living Daylights is based on Ian Fleming’s short story of the same name, though the film’s plot expands significantly beyond the original story. After Roger Moore’s departure from the role, producers Albert R. Broccoli and Michael G. Wilson sought to revitalise the series with a fresh approach. John Glen, continuing his directorial streak with Bond, was tasked with guiding this transition.
The film introduced Maryam d’Abo as Kara Milovy, a Czechoslovakian cellist and Bond’s love interest, and Jeroen Krabbé as General Georgi Koskov, a defector whose true motives drive the plot. The screenplay, written by Richard Maibaum and Michael G. Wilson, focused on Cold War espionage and international arms dealing. With a substantial budget, the production featured elaborate set pieces and diverse locations, from Vienna to Afghanistan.
Plot summary
The film opens with Bond assigned to aid in the defection of General Georgi Koskov from Czechoslovakia to the West. During the mission, Bond prevents an assassination attempt by a KGB sniper, Kara Milovy, who turns out to be Koskov’s girlfriend, unaware she’s being manipulated. Koskov’s defection, however, is a ploy, and he is soon “kidnapped” back to the Soviet Union, prompting MI6 to investigate further.
Bond’s mission takes him across Europe and into the Middle East, uncovering a plot involving Koskov and the rogue American arms dealer Brad Whitaker. Along the way, Bond and Kara develop a relationship as they navigate through a series of dangerous encounters, including thrilling chases and high-stakes battles. The narrative culminates in Afghanistan, where Bond allies with local Mujahideen fighters to thwart Koskov and Whitaker’s plans. The film concludes with Bond successfully dismantling the villains’ operation and reaffirming his commitment to his duty.
Characters and performances
Timothy Dalton’s performance in The Living Daylights is a stark departure from his predecessors, offering a more intense and serious portrayal of James Bond. His interpretation emphasises the character’s professionalism, emotional depth, and moral complexity, making Bond a more grounded and realistic figure. Dalton’s commitment to portraying Bond closer to Fleming’s original vision was well-received by audiences and critics alike.
Maryam d’Abo’s Kara Milovy is a sympathetic and engaging Bond girl, whose innocence and vulnerability contrast with Bond’s hardened demeanour. Her performance adds emotional weight to the story, making her more than just a romantic interest. Jeroen Krabbé’s General Koskov is a charismatic and duplicitous villain, whose charm masks his treachery. Joe Don Baker’s Brad Whitaker is a bombastic arms dealer, adding a layer of menace and unpredictability to the plot. The supporting cast, including John Rhys-Davies as General Pushkin and Art Malik as Kamran Shah, enrich the story with their strong performances and interactions with Bond.
Themes and style
The Living Daylights explores themes of loyalty, betrayal, and the moral ambiguities of espionage. The film’s style is marked by its return to the gritty realism of the early Bond films, focusing on character-driven storytelling and practical action sequences. The production design, including the opulent settings of Vienna and the rugged landscapes of Afghanistan, enhances the film’s visual appeal.
The thematic elements reflect contemporary concerns about the Cold War and the shifting political landscape of the 1980s. The film’s aesthetic, with its emphasis on realism and authenticity, offers a visually engaging experience that contrasts sharply with the more fantastical elements of previous entries. The stylish direction, combined with impressive cinematography and practical effects, creates a compelling narrative that keeps audiences on the edge of their seats.
Production design and locations
The film’s locations play a crucial role in its appeal, showcasing stunning settings in Europe and the Middle East. Production designer Peter Lamont created memorable environments, such as the elegant concert halls of Vienna and the stark, dramatic landscapes of Afghanistan. The use of real locations added authenticity and visual variety to the film.
Lamont’s work on the sets, particularly the Soviet military installations and Whitaker’s war room, demonstrated a commitment to creating immersive and visually striking environments. Filming in locations like the Schönbrunn Palace in Vienna and the Atlas Mountains in Morocco provided a diverse visual palette that enhanced the narrative. The innovative use of practical stunts, such as the thrilling cargo plane sequence and the explosive final battle, showcased the film’s technical achievements and commitment to realism.
Music and soundtrack
John Barry returned to compose the film’s score, bringing his signature orchestral style to the franchise. The title song, “The Living Daylights,” performed by a-ha, captured the film’s energetic and modern spirit. The soundtrack’s blend of lush orchestration and contemporary elements reflected the film’s dynamic and intense tone.
Barry’s score perfectly complements the film’s atmosphere, from the suspenseful “Ice Chase” theme to the romantic and iconic title track. Music plays a crucial role in enhancing key scenes, whether it’s the adrenaline-pumping car chase or the tense moments during the defection sequence. The soundtrack not only supports the narrative but also contributes to the film’s cultural impact, solidifying its place in the Bond musical legacy.
Reception and legacy
Upon its release, The Living Daylights received positive reviews and was a commercial success, grossing over $191 million worldwide. Critics praised Dalton’s more serious portrayal, the film’s realistic tone, and its thrilling action sequences. Over time, the film has become a fan favourite and is often listed among the best Bond films for its return to a more grounded and character-driven approach.
The positive reception reaffirmed Dalton’s suitability as Bond and demonstrated the franchise’s ability to adapt and remain relevant. The film’s success ensured the continued evolution of the series, influencing the tone of subsequent entries. Retrospective reviews have lauded the film’s balance of action, drama, and realism, acknowledging its significant contribution to the Bond legacy.
Cultural impact
The Living Daylights marked the debut of Timothy Dalton as James Bond, bringing a more serious and intense portrayal of the character. This film revitalised the franchise with a focus on Cold War espionage, aligning closely with Ian Fleming’s original vision of Bond. The film’s geopolitical plot, involving Soviet defectors and arms deals, resonated with the global tensions of the 1980s, making it a timely and relevant entry.
The cultural impact of The Living Daylights is significant in its return to a more realistic and grounded depiction of espionage. The film’s action sequences, such as the thrilling chase through the snowy mountains of Austria, set new standards for realism and excitement. The theme song by A-ha also captured the era’s musical style, adding to the film’s contemporary appeal.
Reflections on The Living Daylights
The Living Daylights is often praised for its serious tone and Timothy Dalton’s intense portrayal of Bond. Dalton’s approach brought a sense of authenticity and gravitas to the character, which resonated with audiences seeking a more realistic hero. The film’s plot, grounded in Cold War politics, offered a refreshing return to the series’ espionage roots.
The action scenes, particularly the daring escape on a cello case, demonstrated the film’s creative approach to integrating suspense with humour. The realistic portrayal of spycraft and international intrigue highlighted the franchise’s ability to adapt and evolve. The Living Daylights stands out for its strong narrative and Dalton’s compelling performance, marking a significant shift in the Bond series towards a more serious and intense style.